harsh as torturing

闹上海第十八回 
时间:2007年8月16日(周六)14:30 
地点:现场酒吧 上海市昆明路721号12(通北路口) 
参加单元:Cosmic Super Niao Niao(中国/法国 实验)/耳鸣运动(上海 长音)/Torturing Nurse(上海 粗噪音) 
票价:30元人民币 
　　　　　　　　　　 
NOIShanghai XVIII 
14:30 Aug16 2008 
address:Live Bar #721/12 KunMing Rd 
units:Cosmic Super Niao Niao(china/france experimental)/Tinnitus movement(shanghai drone)/Torturing Nurse(shanghai harshnoise) 
ticket:30rmb 
　　　　　　　　　　 
www.NOIShanghai.org　　 
　　 
Cosmic Super Niao Niao 
从巴黎到上海的实验之音， 在“独自一人”与“大家一起”之间 
http://myspace.com/cosmicsuperniaoniao 
　　 
耳鸣运动 
长音二重奏 
33：风琴§合成器§钢片琴§陶笛§人声 
卖笑国大使：吉他§八音盒§人声 
http://www.douban.com/group/Tinnitusmoveme/ 
　　 
Torturing Nurse 
中国最极端的纯噪音团体,运行每月一次NOIShanghai噪音/声音系列演出 
http://torturingtortur.blogdriver.com 
http://myspace.com/torturingnurse 
http://neocha.com/torturingnurse 
------------------------------------------------- 
曾经参加过NOIShanghai演出的单元: 
Torturing Nurse(SH) 徐程(SH) 王长存(HARBIN/SH) DDV(BELGIUM) AMVK(BELGIUM) 李剑鸿(HZ) Dennis Tyfus(BELGIUM) Nakatani-Chen Duo(USA) OO(SH) Ben Houge(USA/SH) 10(JAPAN/KOREA) Keplepslaws(FRANCE) 积木(HZ) Dominik(UK) Acidezen(HZ) 00700(SH) D!O!D!O!D!(HZ) 孙孟晋(SH) 黄锦(CT) Zhao Wei(JS) H916(FZ) Impregnable(USA) Evol(SPAIN) Melanie Velarde(GERMANY) Ronez(GL) Audrey Chen+Alessandro Bosetti(USA/GERMANY) Torturing Blowjob(SH/GL) Vavabond(HZ) Splinter vs Stanlin(ITALY) Torturing Love(CHINA/ITALY) Justice Yeldham(AUSTRALIA) Hong Qile(FZ) Zev Asher(CANADA) VagusNerve(HZ) 颜峻(BJ) 2RqP5k(SH) Marqido(JAPAN) Patel Pretal(UK) Casse Ufficio Macattie Tropical(ITALY) Muscle Snog(SH) Rolf-Erik Nystr?m(NORWAY) Bernhard Gal(AUSTRIAN) NekronoiZ(FRANCE) Runar Magnusson(ICELAND/DERMARK) Greenmist(UK) DBPIT+Cris ex(ITALY) Fecalove(ITALY) jinxiaoyu(USA) Winters In Osaka(USA) Asthma Writers Union(SH) Nine Inch sNails(CHINA/USA) Neil B. Rolnick(USA) Cheap Chics(SH) House Knives(AUSTRALIA/ENGLAND) 
　　　　　　　　 
http://NOIShanghai.org

http://www.douban.com/event/10174136/

Torturing Nurse和马来西亚grindcore/noisecore团体SMG的split cdr,马来西亚LL Tapes出版,大陆购买:30人民币/套,联系:junkyyy@hotmail.com

Mlehst And The Torturing Nurse 10" lathe vinyl

 

Torturing Nurse和英国老牌实验噪音单元Mlehst的合作10"lathe黑胶，英国噪音厂牌Belief Recordings出版，这也是belief recordings 10" series其中一辑,另两辑为Mlehst/Prurient和Mlehst/Metek !透明10吋黑胶格式，新西兰传奇lathe vinyl Peter King制作，限量20套!!
http://www.discogs.com/release/1373114
paypal购买:mlehst@fsmail.net 

soma and Torturing Nurse - Empty Egg cdr 

栃木県那須塩原のSOMAとNOISHANGHAIという企画を精力的に行い内外ともに高い評価を受けている中国カルトノイズグループTorturing Nurseの衝撃コラボ！！！１トラック２０分の強烈なハーシュの嵐！嵐！嵐！ノイズしか収録されていません。いまだいざこざがくすぶる両国ですが、両国首脳をはじめ、政治家どもにこの作品を送り付けましょう。日中間の壁を軽くぶち壊すウルトラハーシュ作品！！

Torturing Nurse和日本free noise乐手soma的极端暴力噪音合作CDR,日本噪音厂牌G13 Recordings出版!

日本购买:http://g13recordings.shop-pro.jp/ 

V.A. - Ritual II cdr

20组全世界噪音单元的合辑包括:Coldstream/Wizard Kiss/Torturing Nurse/Jehovah/Nicholas Ceparski/Luvzya/Demonologists/A Snake In The Garden/Colossus/Super Minerals/Bkpr/Sick To The Back Teeth,美国heavy nature tapes(大陆需代理)出版,cdr格式,购买: $5.00,paypal:rlaliberty@ksc.mailcruiser.com

 

大家快去买!!

                                                        封面封底的设计稿

 

                                                                   成书

书名为《眼中的梁木》。

8篇小说。356页。

曾丹艳做的设计。

祖咒写了跋。

卖30元/本。

 

邮购是主要办法。分两种。

 

一是打款到卡里。

招商银行。卡号是：

6225 8802 0308 1451

这张卡的开户人就是我。

打款之前，请将你的邮购地址/邮编发到这个邮箱里：

yanzhongdeliangmu@126.com

我确认钱到之后寄书。

书将由快递员在几天内送到你手里。

请不要将邮购地址发到我的博客上，这样会搞乱。

 

二是淘宝网。

http://store.taobao.com/shop/view_shop-1deddf7faf951edc411f341858382511.htm

根据淘宝网的规则来购买。

 

注：这两种邮购方式，皆为货到后由买方付邮费。

 

再就是，

因为一些显而易见得原因，这个书不会出现在大店里。

我会放部分书在各地的个别小店里。

现在还没有，因为书刚弄好，还没寄过去卖。

等书确定摆到店里了，我会陆续在这个告示里添加店的详细地址。

有哪些店觉得能卖的话，也可通过yanzhongdeliangmu@126.com和我联系。

 

                                                                   封面

 

                                                                   封底

 

                                                                    内页

 

难以置信的身体撞击表演，充满了无限的噪音娱乐，2008.07.19 NOIShanghai XVII@live bar,sh 30名观众~!

Torturing Nurse
 

House Knives

Junky and Sinead Young

Junky and Tara Pattenden-Fail

 

 

Torturing Nurse@live bar2008.07.19

House Knives@live bar2008.07.19

 

 Muscle Snog/Asthma writers union/tinnitus movement成员maimai、miniless ceo hans和Torturing Nurse成员Junky的合作唱片,共10轨73'59",风格:即兴/噪音/抽象,cdr格式,100套，miniless recordings出版,购买30元人民币(+邮费),联系:liyiyi1982@hotmail.com

porn moon twins & junky - junky is not edison
porn moon twins:dildo converter
junky:blowjob
sex on 2008.04.12
masturbation by junky
improvisation1(8’20”)
improvisation2(2’21”)
improvisation3(12’00”)
improvisation4(8’02”)
improvisation5(4’12”)
improvisation6(5’01”)
improvisation7(16’44”)
improvisation8(2’22”)
improvisation9(5’47”)
improvisation10(8’52”)
miniless recordings
www.myspace.com/minilessrecordings
shasha records
www.myspace.com/noiseshasharecords

http://www.douban.com/subject/3140935/

特别好的专辑下载blog,汇集了Hanatarash/The Cherry Point/Oscillating Innards/Prurients/M.S.B.R./The Rita/Sewer Election/Guilty Connector/C.C.C.C./Impregnable,ect世界范围各类噪音mp3下载，大部分都是限量卡带、黑胶、cdr出版!

http://terrornoiseaudio.blogspot.com/ 

第一次来到宁波演出，感谢vox的联系和1982酒吧老板杨竣!前面全部3组乐队，从翻唱Korn开始到metal core结尾，朴实的小城市，恍若隔世的金属

加拿大导演eric lohrenz指导的记录片，完整记录了Tunnel Canary 这支加拿大传奇噪音团体的历程，并选取80年代到现在的The Haters, Brutophilia,Rubber 0 Cement,Torturing Nurse等7支全世界范围噪音团体的采访和现场!
我会在以后的NOIShanghai演出前播放这个记录片!!

Torturing Nurse全新专辑Fade Away But Not Ending在Dying Art分厂TIC下正式发售,压制CD500套,其中普通包装450张,铁盒特别版50套.赠乐队演出现场DVD及手术刀片及注射针头等纪念.
http://www.underfm.com/dyingart/chinese/discography/tic007.htm 

国内淘宝购买:http://auction1.taobao.com/auction/item_detail-0db1-60f612de03e63ed6a90d84f03823afa9.jhtml 

2008.06.15(sun)@live bar,shanghai
pics:
jinxiaoyu:

Wang Changcun:

Asthma Writers Union:

Xu Cheng:

Patel Pretal:

Jimu:

Nine Inch sNails:

Torturing Nurse:

Neil B. Rolnick:

videos:
jinxiaoyu:

Wang Changcun:

Asthma Writers Union:

Xu Cheng:

Patel Pretal:

Jimu:

Nine Inch sNails:

Torturing Nurse:

Neil B. Rolnick:

一年半前和德国laptop实验乐手Mattin相识，完成了各自mix对方10分钟素材的合作，长时期的等待后，终于在斯洛文尼亚独立厂牌[&]以3 way split cdr形式出版,split的另两组为:AARON HULL(澳大利亚),AMPER-O-MAT(斯洛文尼亚)，国际购买:http://matjaz.jezakon.com/orderingandtrading.htm
国内购买:30元人民币/套,联系:junkyyy@hotmail.com

a merciless, bi-continental team up of two horribly unyielding units. representing china is torturing nurse in the three piece form of jiadie, youki, and junky. anyone familiar with tn's mangled gerogerigegege meets a meat grinder style knows what they are in for. a non-stop, pounding, fucked up back alley ballad complete with violent as hell screams and amplified vomit. it's gonna get everywhere, i promise. wasteland jazz unit hail from the good old usa (cincinnati, oh if you want to get technical) and somehow manage to pull off the same ferocious carnage while using a saxophone and clarinet? what!? yes! overly abused wind instruments intentionally doing what was never intended. a piercing and harsh masterpiece.

美国905 tapes出版，国际购买:http://www.905tapes.com/ 

9组全世界各地噪音计划demix Chick Dig Noise的Na曲目,8组各自设计封面，我设计的如上

Na - Variations
Chicks Dig Noise - Na
Timmy The Tapeworm - Na (II)
Kenji Siratori - na_kill
Simpson Brothers - Untitled
Sick To The Back Teeth - Na (Sick To The Back Teeth Remix)
Cum Function - Na (Cum Function Interpretation)
Harshcore - Nanna
Torturing Nurse - Torturing Na
Chop Chop - NaNarisms

下载连接:
http://download.yousendit.com/8B060ABF26CE5E89(只保留7天!)
 

 闹上海第十七回
时间:2007年7月19日(周六)14:30
地点:现场酒吧 上海市昆明路721号12(通北路口)
参加单元:vario air(Kunt's member)[澳大利亚 女子色情噪音]/Torturing Nurse(上海 暴力噪音团体)
票价:30元人民币
　　　　　　　　
NOIShanghai XVII
14:30 July19 2008
address:Live Bar #721/12 KunMing Rd
units:vario air(australia hot sexual noise)/Torturing Nurse(shanghai harshnoise group)
ticket:30rmb
　　　　　　　　
www.kuntnoise.com
www.myspace.com/kunt
www.torturingtortur.blogdriver.com
www.myspace.com/torturingnurse
www.NOIShanghai.org　　
-------------------------------------------------
曾经参加过NOIShanghai演出的单元:
Torturing Nurse(SH) 徐程(SH) 王长存(HARBIN/SH) DDV(BELGIUM) AMVK(BELGIUM) 李剑鸿(HZ) Dennis Tyfus(BELGIUM) Nakatani-Chen Duo(USA) OO(SH) Ben Houge(USA/SH) 10(JAPAN/KOREA) Keplepslaws(FRANCE) 积木(HZ) Dominik(UK) Acidezen(HZ) 00700(SH) D!O!D!O!D!(HZ) 孙孟晋(SH) 黄锦(CT) Zhao Wei(JS) H916(FZ) Impregnable(USA) Evol(SPAIN) Melanie Velarde(GERMANY) Ronez(GL) Audrey Chen+Alessandro Bosetti(USA/GERMANY) Torturing Blowjob(SH/GL) Vavabond(HZ) Splinter vs Stanlin(ITALY) Torturing Love(CHINA/ITALY) Justice Yeldham(AUSTRALIA) Hong Qile(FZ) Zev Asher(CANADA) VagusNerve(HZ) 颜峻(BJ) 2RqP5k(SH) Marqido(JAPAN) Patel Pretal(UK) Casse Ufficio Macattie Tropical(ITALY) Muscle Snog(SH) Rolf-Erik Nystr?m(NORWAY) Bernhard Gal(AUSTRIAN) NekronoiZ(FRANCE) Runar Magnusson(ICELAND/DERMARK) Greenmist(UK) DBPIT+Cris ex(ITALY) Fecalove(ITALY) jinxiaoyu(USA) Winters In Osaka(USA) Asthma Writers Union(SH)/Nine Inch sNails(CHINA/USA)/Neil B. Rolnick(USA)
　　　　　　
http://noishanghai.org/act/17.htm
http://www.douban.com/event/10114610/

06.15(日):NOIShanghai Third Anniversary - Neil Rolnick(usa sound art)/Wang Changcun(shanghai sound art)/Jimu(hangzhou sound art)/Asthma Writers Union(shanghai experimental/free)/Xu Cheng(shanghai sound art)/Nine Inch sNails(shanghai/usa experimental/sound art)/Patel Pretal(uk experimental)/jinxiaoyu(usa experimental)/Torturing Nurse(shanghai harshnoise)@现场酒吧上海:http://www.douban.com/event/10059108/
06.28(六):@1982酒吧宁波

 闹上海三周年
时间:2007年6月15日(周日)14:30
地点:现场酒吧 上海市昆明路721号12(通北路口)
参加单元:Neil Rolnick(美国 声音艺术)/王长存(上海 声音艺术)/Jimu(杭州 声音艺术)/Asthma Writers Union(上海 实验/即兴)/徐程(上海 声音艺术)/Nine Inch sNails(上海/美国 实验/声音艺术)/Patel Pretal(英国 实验)/jinxiaoyu(美国 实验)/Torturing Nurse(上海 暴力噪音)
票价:30元人民币
　　　　　　　　
NOIShanghai Third Anniversary
14:30 june 15 2008
address:Live Bar #721/12 KunMing Rd
units:Neil Rolnick(usa sound art)/Wang Changcun(shanghai sound art)/Jimu(hangzhou sound art)/Asthma Writers Union(shanghai experimental/free)/Xu Cheng(shanghai sound art)/Nine Inch sNails(shanghai/usa experimental/sound art)/Patel Pretal(uk experimental)/jinxiaoyu(usa experimental)/Torturing Nurse(shanghai harshnoise)
ticket:30rmb
　　　　　　　　
www.neilrolnick.com
www.post-concrete.com/wangcc
www.neocha.com/asthma_writers_union
www.myspace.com/patelpretal
www.myspace.com/jinxiaoyu  
www.neocha.com/torturingnurse
www.NOIShanghai.org
　　　　
Neil B. Rolnick
尼尔的职业生涯自1970年代后期以来已跨越许多领域包括突发和异常组合的材料和媒体，探索形式多样的数字采样，互动多媒体，和传统的剧场音乐。在整个80年代和90年代，他还负责开发的第一个综合性电子艺术研究生和本科课程
www.neilrolnick.com
　　　　
王长存
目前工作在上海的知名实验声音艺术家
www.post-concrete.com/wangcc
　　　　
蒋竹韵(积木/JIMU)
杭州二皮唱片年轻的声音艺术家
　　　　
Asthma Writers Union
上海Muscle Snog的吉它卖卖的个人实验/即兴计划
www.neocha.com/asthma_writers_union
　　　　
徐程
上海Torturing Nurse成员,声音艺术家
　　　　
Nine Inch sNails
基本由美国人霍杰明(Ben Houge)和中国人杨戈(Younger)组成.
霍杰明来自美国西雅图,早年学习作曲,现从事电子游戏音乐音效设计工作.曾多次携作品参加NOI-shanghai,2pi音乐节演出。
杨戈来自山西省,肄业于新加坡南洋艺术学院多媒体系,声音艺术爱好者,曾参与过噪音活动和大声展声音部分的组织策划

Patel Pretal
Patel Pretal是来自英国成立于2005年的一支环境民谣/噪音双人组,运用收音机,玩具和破裂的电子设备试验性地混合着实验和长音
www.myspace.com/patelpretal

jinxiaoyu
美国自制模拟电声线路的即兴实验计划
www.myspace.com/jinxiaoyu  

Torturing Nurse
中国最多产的极端噪音团体,运行每月一次噪音/实验/即兴/声音系列演出闹上海
www.torturingtortur.blogdriver.com
www.myspace.com/torturingnurse
www.neocha.com/torturingnurse　　
-------------------------------------------------
曾经参加过NOIShanghai演出的单元:
Torturing Nurse(SH) 徐程(SH) 王长存(HARBIN/SH) DDV(BELGIUM) AMVK(BELGIUM) 李剑鸿(HZ) Dennis Tyfus(BELGIUM) Nakatani-Chen Duo(USA) OO(SH) Ben Houge(USA/SH) 10(JAPAN/KOREA) Keplepslaws(FRANCE) 积木(HZ) Dominik(UK) Acidezen(HZ) 00700(SH) D!O!D!O!D!(HZ) 孙孟晋(SH) 黄锦(CT) Zhao Wei(JS) H916(FZ) Impregnable(USA) Evol(SPAIN) Melanie Velarde(GERMANY) Ronez(GL) Audrey Chen+Alessandro Bosetti(USA/GERMANY) Torturing Blowjob(SH/GL) Vavabond(HZ) Splinter vs Stanlin(ITALY) Torturing Love(CHINA/ITALY) Justice Yeldham(AUSTRALIA) Hong Qile(FZ) Zev Asher(CANADA) VagusNerve(HZ) 颜峻(BJ) 2RqP5k(SH) Marqido(JAPAN) Patel Pretal(UK) Casse Ufficio Macattie Tropical(ITALY) Muscle Snog(SH) Rolf-Erik Nystr?m(NORWAY) Bernhard Gal(AUSTRIAN) NekronoiZ(FRANCE) Runar Magnusson(ICELAND/DERMARK) Greenmist(UK) DBPIT+Cris ex(ITALY) Fecalove(ITALY) jinxiaoyu(USA) Winters In Osaka(USA)
　　　　
http://NOIShanghai.org

 

逝者安息，生者坚强!!

周六下午14:00先去白兰路/中山西路的青年旅馆和Winters In Osaka的adam碰头然后一起打的到“下河迷仓",今晚这里将举行上海即兴音乐组织RESO的第二场演出，经历了上月的第一局80多观众空气热烈，这场急剧下降到只卖出5张票，很好，因为来看的是真正喜欢此类音乐的观众！

RESO II@mecooon2008.05.17:
pics:
Junky and Adam:
 

 S-proXy:
 
收音机、改装发声装置和笔记本共存，可能第一次单独演出，给人感觉太松散，也就是想要在10分钟内尽量什么声音都想发出，但我还是很看好他！

Asthma writers union:

今晚异常出色的一组，经历了Muscle Snog的noise rock后，卖卖个人的计划更多的向他喜欢的自由即兴大步迈进，基本全是原声吉它音色，收放控制自如!

 Winers In Junky:
 

 
虽然adam钱包在上海被偷，当晚自带小mixer试音前被烧,但演出就不考虑这些沮丧的事情了,他用四台walkman,我用一个转盘+单块 完成这次并不吵闹环境噪音即兴合作

智力迟钝者之王:
 
这是陆晨和前顶马成员顾磊、中科的即兴乐队，但我还是觉得他们完全没分清楚声音和音乐的区别，好像是摇滚乐队在排练间隙的突然要乱来一下， 顾磊给人感觉不知道怎么使用效果器，只是手上的木琴换成带电的!

 proXy+Asthma writers+Winers In Junky+智力迟钝者之王:
 

最后所有参加单元的联合即兴!

video:
Winers In Junky:

NOIShanghai XV@live bar2008.05.18:

pics:

jinxiaoyu:

上期在"闹上海"发现的在上外留学的美国人 ,自制电子线路装置和木吉它feedback,他同样会出现在下月15日NOIShangha三周年演出的9组单元中!

Winters In Osaka:

 
来自美国芝加哥的磁带环境噪音计划,这场比起昨天RESO合作演出harsh很多，外国噪音/实验乐手在舞台上的声音控制力和从容是很值得这边乐手学习的，还是那句话：一定要多录音、多演出！ 

videos:

Torturing Nurse:

Jiadie因为有事没有参加这场演出，虽然徐程抱怨几乎听不到自己的返听，但我仍旧觉得这次演出不错，从后来的录音中也这么确信! 

jinxiaoyu(part):

Winters In Osaka(part):

这场卖出8张票，下午演出的时候闷热的上海突然下起了雨，等大家伙一起吃好晚饭后仍然不停，这就是天气反复无常的上海，这就是让人快乐和绝望并存的上海!!

采访:和小宇 被访:Junky
(访谈将刊登在下期<当代艺术与投资>杂志,包括姚大钧、颜峻、李剑鸿25p专题)

Torturing Nurse这个名字从哪里来的？
因为喜欢john zorn的一张唱片<Torture Garden>。

从定义上来说，你怎么看待噪音？
我觉得噪音就是噪音，不是音乐。它应该算平民化的艺术，或者反艺术。

你是否认为噪音具有强烈的进攻性？无论从是现场的直接的听觉还是大的美学层面上讲？
对我们来说，做噪音是自娱自乐，并不想跟谁去战斗。

为什么你经常说自己恨摇滚，骂摇滚去死。
恨在何处，物极必反吧。当初爱得太深了，一夜之间发现并不是你喜欢的那样。现在就是很厌烦，觉得摇滚没什么意思，摇滚只是音乐很小一部分，音乐又是声音中的很小一部分。
就我个人体验而言，很多摇滚乐队和摇滚歌迷都让我不舒服。这门音乐没什么新意了。到现在我还是喜欢The Doors等六十年代摇滚乐队，但不怎么听。听的话也是当小时候的流行歌来听。

之前你参加过哪些摇滚乐队？它们都是什么样的？
最早是97年参加“薄荷糖”，后来是“戈多”、“胡桃夹子”，以及“junkyard”

Junkyard时期的音乐已经受日本地下影响很深，有些偏实验性了。
恩，当时听日本那些no wave乐队，2000年的时候ruins（日本实验摇滚乐队）来上海演出，我买了吉田达也（该乐队鼓手）带来的好多唱片。这对我触动很大。
日本空投直接影响了你的音乐口味。
对；我记得那时候看了他们现场非常兴奋；完全抛弃了我对此前那些一般意义上的非主流摇滚的热爱。
Boredoms、UFO or Die、Ruins等日本乐队都是我那段时间经常听的东西。

当时周围的同好多吗？
很少。
当时还有什么资讯渠道？
那时候老上“杂音”（见辞条注）；自己也装了soulseek软件，下了很多日本前卫。

前卫的东西听得越多就越不喜欢摇滚了？
对，摇滚就是脱离不了节奏和旋律，套路太多。原来戈多排练时候老是吉它先想动机，然后大家配。我跟他们说要么鼓或者唱先出动机吧。他们居然说那怎么弄呀。我就觉得是时候离开了。
你听日本很多新音乐，根本没这种束缚。音乐是为人服务，不是人做音乐的奴隶。再往后慢慢觉得声音的范畴要远远广于摇滚或者音乐。摇滚非常局限，无非是很窄的一部分。

Junkyard解散是为什么？
成员从从最初排练的兴奋到后来的麻木，感觉都到了中年。越来越少趣味。变成了为前卫而前卫，一点都不自由。后来我下决定把3年来排练好的歌曲选了一些，大家进棚录完唱片就结束

那时候已经很喜欢日本噪音了？
对，Incapacitants、非常阶段等等。

所以组自噪音乐队顺理成章。
恩，我天生静不下来。所以Junkyard后期的吉他手Misuzu和我提出再组个纯噪音乐队时候，我马上同意了。当时是2004年4月25日，俩人在一排练房玩了一下午，挺高兴的，当时的情景现在还记得。
组队时的成员有misuzu（吉他）、miriam、（负责表演的女孩）婉君（负责人声的女孩），后每周开始排，没排多久就录音准备做第一张唱片，慢慢的到现在。05年的时候婉君退出，徐程进来，跟我一起作为主创。07年miriam退出，蛱蝶进来作为人声。
徐程2003年的时候就在Post-Concrete（姚大钧的实验/声音厂牌）的合辑里发过作品。但似乎接受采访很少。
对，他很早就做声音，也做摄影和设计，人比较低调。

最早的唱片跟后来的 有什么不同吗
最早其实还在摸索噪音怎么做。经过无数次录音和各式设备的运用后，越来越明白是怎么回事情。

乐队的唱片出版数量和频率应该是国内之最了。
放到国外同期组建的团体里面也是第一。

具体有多少了？
现在已经出版并拿到唱片的是119张,10张在邮寄路上，再加上已经交给对方，未来即将出版的一共是200多张。
其实那么多出版同时也是对声音/噪音的探索过程。

多数是在国外地下噪音厂牌出版的。
没错，越来越清楚感觉到世界各地地下噪音的交融和友爱。有个国际噪音论坛，我每天上。大家在MySpace上的交流也非常频繁。世界上有无数个独立厂牌和个人出版。虽然自己生活在噪音并不发达的国家，但在网络时代，接受的资讯都是一样的。



“NOIShanghai”系列演出都办了三年了，想必经历了重重困难。
最早我们根本找不到地方演出。现在还可以，有了live bar这样的固定场所，每月一次，老板也比较支持我们，上次意大利噪音艺术家演出时表演手淫，他也没说什么。
就是观众太少了，一般10个人买票。

你的理想观众数量是多少？
我觉得30到50个就ok。

国外艺术家的演出都是怎么联系的。
他们自己联系我们，基本是政府赞助或自费过来。
你们在国内基本是自己来出版。
没有合适的厂牌，不过下月在Dying Art（大陆独立厂牌，以出版黑浪潮音乐为主）的出版很好，是cd+dvdr，限量500套。其中特别包装100套，里面有针头放在铁盒子里。

如何形容自己
我挺普通的，但有时候性格还是有点分裂，有时候阴沉沮丧，有时候又非常满足。

沮丧多半是因为生活琐事吗，还是音乐上的目标
做为人得应付生存的压力，还是希望能尽量生活，少考虑生存。

中国红十字会：
http://www.redcross.org.cn
http://www.crcf.org.cn/donationol/donation.asp
http://news.sohu.com/20080512/n256808674.shtml
　　　　
香港红十字会：
http://www.douban.com/group/topic/3183890/
　　　　
乐施会和宣明会：
http://www.douban.com/note/11101085/?from=mb-33118804
　　　　
中国扶贫基金会：
http://www.douban.com/group/topic/3185292/
　　　　
爱德基金会 感谢louis的消息
http://www.douban.com/group/topic/3183929/
　　　　
taobao和李连杰的壹基金
http://www.taobao.com/cn/theme/site/scdz_080512.php
　　　　
Tencent和李连杰的壹基金
http://gongyi.qq.com/juanzeng/llj_dizhen.htm
　　　　
中国移动、中国联通手机用户以及中国电信、中国网通小灵通用户均可编辑短信1或2，发送至1069999301，即向“红十字救援行动”捐款1元钱或2元钱。

5月17日晚7点30分
　　　　　　
表演者
　　　　
Winters In Junky(美国/中国)
来自上海torturing nurse的junky（噪音）和来自美国芝加哥的单人计划Winters In Osaka（环境/噪音）的一次性即兴组合。
带好棉花。
听：
www.myspace.com/wintersinosaka1
www.myspace.com/torturingnurse
　　　　
S-proXy：
VST爱好者，升级控，乐趣最高！曾参与indie组合Boojii 数码噪音组合 00700 后摇组合Partly Shock,现参与电音组合CDGE GLONASS.擅长：读软硬件说明书，剽窃电影配音，追新番，收集玩具。
听：
http://www.neocha.com/cdge
　　　　
智力迟钝者之王
King of Retards
Groupies:GGZKGL
WE ARE NOT A PLASTIC BAND.
不给听
　　　　
哮喘作家联盟Asthma writers union
上海noise－rock乐队muscle snog主唱吉他手卖卖的个人计划，吉他制造黑洞。
听：
http://www.neocha.com/asthma_writers_union
　　　　
以及自由即兴
　　　　　　
　　　　　　　　
场地：下河迷仓
地址：龙漕路200弄100号3楼（育音堂原址隔壁）
电话：86-21-64089520
86-21-54483368-601、611
　　　　　　
票价：20元
　　　　　　
所有入场观众将赠送弥勒唱片为RESO定制的限量100张唱片，编号RESO 001，唱片中收录RESO第一回中表演的四组计划的现场演奏片段和自由即兴片段。
　　　　
在RESO第一回中赠送的RESO 000还有少量剩余，现场将以10元每张出售。
　　
http://www.douban.com/group/RESO/
　　
http://www.douban.com/event/10081688/

 

pornmoon twins & junky - junky is not edison
porn moon twins:dildo converter
junky:blowjob
sex on 2008.04.12
masturbation by junky
　　
improvisation1(8’20”)
improvisation2(2’21”)
improvisation3(12’00”)
improvisation4(8’02”)
improvisation5(4’12”)
improvisation6(5’01”)
improvisation7(16’44”)
improvisation8(2’22”)
improvisation9(5’47”)
improvisation10(8’52”)
　　
miniless recordings
www.myspace.com/minilessrecordings
shasha records
www.myspace.com/noiseshasharecords
porn moon twins & junky - junky is not edison
porn moon twins:dildo converter
junky:blowjob
sex on 2008.04.12
masturbation by junky
　　
improvisation1(8’20”)
improvisation2(2’21”)
improvisation3(12’00”)
improvisation4(8’02”)
improvisation5(4’12”)
improvisation6(5’01”)
improvisation7(16’44”)
improvisation8(2’22”)
improvisation9(5’47”)
improvisation10(8’52”)
　　
miniless recordings
www.myspace.com/minilessrecordings
shasha records
www.myspace.com/noiseshasharecords

和Muscle Snog吉它maimai以及miniless ceo hans的即兴录音，近期出版!

天一下雨就抑制不了地郁闷，上海怎么不是自杀率最高的城市呀？！！hate raining!!!

 No Fun Fest 2008. May 16,17,18 at the Knitting Factory In NYC
single day tickets:May 16(18$) May 17(20$) May 18 (18$)
Questions : info@nofunfest.com

FRIDAY 16 at 7pm Stage 1: ASTRO (Hiroshi Hasegawa) Tony Conrad + MV Carbon White Out Burning Star Core Thurston Moore + Nancy Garcia Dinosaurs with Horns Randy Yau Sickness Stage 2: Damion Romero Handicapper Hornz Greg Kelley Jason Crumer Failing Lights Sewer Election Black Quarter Workbench DJs: Ning Nong, Howard Stelzer

SATURDAY 17 at 7pm Stage 1: CLUSTER Religious Knives Demons Carlos Giffoni The Skaters Keith Fullerton Whitman Nautical Almanac Nevari Butchers Stage 2: Hair Police Tovah Olson and The Jasons Alvars Orkester Emeralds Cornucopia Baby Cobra Headsz Eskimo King Pax Titania Afternoon Penis DJs: Pieter S.(Wierd Records), C.G. Warrior

SUNDAY 18 at 6:30pm Stage 1: The Haters Consumer Electronics Illusion of Safety Lee Ranaldo: Blind Piece #2 Lasse Marhaug + Dror Feiler Sudden Infant Edwige Werewolf Jerusalem Stage 2: John Wiese Cleanse James Plotkin Alan Licht FFH Ahlzagailzehguh Halflings The Cathode Terror Secretion Shallow Waters DJs: Kai Parviainen(Enema Syringe),Tommi of Finland

http://www.nofunfest.com(大陆需代理)

看了下名单比较想看的是:Randy Yau/Sickness/The Haters/Sudden Infant/Werewolf Jerusalem/Ahlzagailzehguh~!

和周五的演出比起来这场状态好很多，看来是不能在错误的场地和错误的人群中表演，今天虽然只卖掉9张票，但我超级开心，因为今天演出的都是我很喜欢的单元，除了第一组徐程是笔记本,其它全部是硬件噪音，而且是真正的harshnoise/power eletronics,超级棒，特别是nicola,一年不见现在演出不可思议的牛，色情/自然/爆发力十足,比较开心的是买到了Prurient的两张新cd和Mutant Ape/The Rita的split 7"以及一大堆nicola送的唱片:P还认识了新的朋友，一位在上海读书也做硬件噪音的美国人，已经邀请他参加下次NOIShanghai表演了~!

徐程:

Greenmist:

Torturing Nurse:

DBPIT+Cris ex:

Fecalove:

Fecalove, DBPIT+Cris ex and Junky:

Greenmist: Torturing Nurse: DBPIT+Cris ex: Fecalove: Greenmist+DBPIT+Cris ex+Fecalove+Junky:

Dawn of the Deaf deals with the beauty of infernal sonic warfare and the pleasure one finds in getting assaulted with cacophonies of sound until one's ears are reduced to a bloody pulp. Fortunately for those who consider said painfull assaults the epidome of joy, New York City offers a lot of dark and forbidden fruits in its deep down underground nightlife. One of the fascinating aspects of 'noise' events is the likeliness of young talent sharing the stage with unpretentious established artists who are still, and very well for that matter, connected to current avantgarde affairs. Every so often for example one will find the likes of Thurston Moore or Genesis P-Orridge playing or DJ'ing at those off the beaten path lofts. Mind you, not as the headlining act but an opener or collaborator. It is what I call the beauty of a scene that seems to be above tiresome rockstar cliches. Dawn of the Deaf captured what UN:ART:IG believes to be the most interesting of these moments in recent years.
　　
　　Featuring:
　　Ramleh @ Death By Audio '07
　　Prurient & Thurston Moore @ The Hook '06
　　Magic Mountain @ Rad Pad '06
　　Wolf Eyes @ Death By Audio '07
　　Realicide @ 248 McKibbin '07
　　Yellow Swans @ Silent Barn '07
　　John Wiese & C Spencer Yeh @ Silent Barn '07
　　Black Dice @ Market Hotel '08
　　Mike Pride's Drummer's Corpse @ Tonic '07
　　Thee Majesty @ Northsix '06
　　
　　More Info:
　　http://www.angelfire.com/wv/x666x/dawn.html
　　
　　Schedule of Screenings & Exhibitions:
　　http://unartig.angelfire.com/exhibit.html
　　
　　http://youtube.com/watch?v=D1AvlAMwF6I
　　http://youtube.com/watch?v=R8fs3ZopZrM
　　http://youtube.com/watch?v=17CC162T8BY
　　http://youtube.com/watch?v=ZrLa-wu7xzI
　　http://youtube.com/watch?v=8zdRv7g8VRo
　　http://youtube.com/watch?v=3dwRrW2X65Y
　　http://youtube.com/watch?v=DnkQgtHAwBY
　　http://youtube.com/watch?v=FiM7zC_Y5uA
　　http://youtube.com/watch?v=Ur2kuToWWsU
　　http://youtube.com/watch?v=lFxpAIsswIY
　　http://youtube.com/watch?v=Id159j7qM44
　　
　　10组实验/噪音单元在美国纽约各俱乐部演出的现场记录片,包括我最喜欢的Prurient:)

心是那么静，静得几乎停止了跳动，只能感觉到Kang Tae Hwan的乐曲起伏，连续咳嗽了3周，每次震动都像灵魂游离在躯体之外,只有夜晚是永恒不变的，她能吞噬你的孤寂!

Torturing Nurse@yuyintang2008.04.25(part):

明天4.25是Torturing Nurse成立整整4周年,4年前的那刻历历在目，4年内TN完成了50场表演,200张唱片的出版(已出版119张,剩余即将出版),出版格式从磁带到cdr,从cd到12"黑胶,出版厂牌遍及全世界!!感谢世界各地噪音同仁的帮助，以及噪音乐迷的捧场!!!TN明天在将"育音堂",后天将在"现场酒吧"演出,希望到时候能看见你,no noise no life!!!!

 

 (Louis and Bebe Barron)

From Barry Schrader:

"Bebe Barron (1925 - 2008)

It is with great sadness that I report the death of Bebe Barron on April 20, 2008 at the age of 82, of natural causes. Bebe was the last of the pioneering composers of classical studio electronic music. She was a close friend, an enthusiastic colleague, and a most gracious lady.

Bebe Barron was born Charlotte Wind in Minneapolis, on June 16, 1925. She received an MA in political science from the University of Minnesota, where she studied composition with Roque Cordero, and she also spent a year studying composition and ethnomusicology at the University of Mexico. In 1947 she moved to New York and, while working as a researcher for Time-Life, studied composition with Wallingford Reigger and Henry Cowell. That same year, she met and married Louis Barron (1920 - 1989). Shortly thereafter, the Barrons began their experiments with the recording and manipulation of sound material by means of a tape recorder that they received as a wedding gift. They created a private studio in New York and, in 1955, composed the first electronic music score for a commercial film, Forbidden Planet. In 1962 the Barrons moved to Los Angeles; they divorced in 1970. In 1973, Bebe married Leonard Neubauer, a screen writer. Bebe became the first Secretary of the Society for Electro-Acoustic Music in the United States (SEAMUS) in 1985, and also served on the Board of Directors. In 1997 Bebe was presented the SEAMUS Award for the Barrons life work in the field of electro-acoustic music. She is survived by her husband, Leonard, and her son, Adam.

Bebe’s last public appearance was on January 12, 2008, at an event held at the Hammer Museum in Los Angeles, celebrating the work of her good friend, Anais Nin. Bebe was too ill to speak in public at this point, but she agreed to be interviewed for a video piece that was shown at the event. This is her final interview, and you can see it on YouTube.

Bebe’s final composition, Mixed Emotions (2000) was composed in the CREATE studios of the University of California at Santa Barbara. I'll be putting this work up on the Downloads 2 page of my website, along with some photos of Bebe and myself taken in 2005 at her home on the Photos page within the next week.

I first met Bebe Barron in the middle 1970s; I don't remember exactly when, but I think it was around 1975. I had asked Bebe and her former husband and composing partner Louis to attend a showing of Forbidden Planet that I had arranged as part of a class at CalArts. They agreed to do it, and I quickly became good friends with Bebe and we remained close over the years.

In writing about Bebe Barron, it's impossible not to focus on the pioneering work that she and Louis did in electronic music. They began their experiments in 1948, shortly after they were married. This early work was done using a tape recorder, preceding the work of Luening and Ussachevsky and the switch from disks to tape by Pierre Schaeffer and the GRM. But, to my knowledge, the Barrons' early experiments did not result in any completed works, a state of affairs not uncommon with early pioneers in the field. In 1949 they set up one of the earliest private electro-acoustic music studios and began their experiments with electronically generated sounds. They built their own circuits which they viewed as cybernetic organisms, having been influenced by Norbert Weiner's work on cybernetics. The circuits, built with vacuum tubes, would exhibit characteristic qualities of pitch, timbre, and rhythm, and had a sort of life cycle from their beginnings until they burned out. The Barrons recorded the sounds from the amplification of these circuits and this formed the basis of their working library. They also employed tape manipulation techniques as part of their compositional procedures. The sound qualities of these various amplified tube circuits and the tape manipulations that they underwent formed the musical language that the Barrons created in their studio. Unlike some of the work being done elsewhere, the Barrons' music reveals long phrases, often stated in tape-delayed rhythms, with the stark finesse of the tube circuit timbres. They created a style that was uniquely their own yet married to the technology they were using.

The Barrons earliest finished work, Heavenly Menagerie (1951) does not seem to have survived in a complete form. But their score for Ian Hugo's film Bells of Atlantis (1952), based on a poem by Anais Nin, who appears on screen, does exist on the film sound track. This may be the earliest extant work of the Barrons and presages what was to come with Forbidden Planet, the music for which was composed in 1955, the film being released the next year.

The music for Forbidden Planet is truly a landmark in lectro-acoustic music. This was the first commercial film to use only electronic music, and the score for the movie displays an attitude towards film scoring that was different from anything that had happened before. In Forbidden Planet, while there are themes for characters and events in the film, as was traditional in the scoring of that day, the themes are composed and perceived as gestalts, rather than as melodies in traditional movie music. Even more important is the fact that the scoring of Forbidden Planet breaks down the traditional line between music and sound effects since the Barrons' electronic material is used for both. This not only creates a new type of unity in the film sound world, but also allows for a continuum between these two areas that the Barrons exploit in various ways. At some points it's actually impossible to say whether or not what you're hearing is music, sound effect, or both. In doing this, they foreshadowed by decades the now common role of the sound designer in modern film and video.

The Barrons composed many other works for tape, film, and the theater in the 1950s. Their studio became the home for John Cage's Project of Music for Magnetic Tape, and they assisted in the creation of Cage's first chance piece Williams Mix (1951-52), as well as works by other members of the group such as Earle Brown and Morton Feldman. As a studio for the creation of their own and other composers' works, the Barrons' studio served as a functioning center for electro-acoustic music at a time when there was no institutional support of the medium in the United States. It's curious, then, that, for many years, the Barrons, their studio, and their works were largely overlooked by composers and historians in the field. Fortunately, that injustice has since been corrected, and, in 1997, it was my great honor to present to Bebe and, posthumously, to Louis, the SEAMUS Lifetime Achievement Award